Will You Cross The Skies For Me
Vinnaithaandi Varuvaayaa TRACK LISTING
Omana Penne
singers : Benny Dayal, Kalyani Menon
Malayalam Lyrics : Kalyani Menon
Anbil Avan
SINGERs : Devan Ekambaram, Chinmayi
Vinnaithaandi Varuvaayaa
SINGERS : Karthik
Additional vox : Vivek Agarwal
Hosanna
SINGERS : Vijay Prakash, Suzanne, Blaaze
English Rap Lyrics : Blaaze
Kannukkul Kannai
SINGERS : Naresh Iyer
Mannipaaya
SINGERS : A.R.Rahman, Shreya Ghoshal
Aaoromale
SINGERS : Alphonse
Malayalam Lyrics : Kaithapram
THE AUDIO TRACK WILL BE RELEASED SOON......
Vettaikaran new latest movie review
Vettaikaran has been the talk of the town lately. After a string of defeats people were expecting a blockbuster from Vijay and as soon as sun pictures entered the scene, the hype was very high. Now after seeing the movie if one asks a question. Has the movie lived up to its hype? the answer is a strong 'NO'.
The film is yet another rehash of the crappy masala and bgrade action films that Vijay has done in the past. Its very sad that Vijay, who seems to work so hard is still sticking to the same formula irrespective of them bombing in the box office. In this film too Vijay has totally replicated the style of superstar Rajinikanth in many places and its very evident in lot of scenes. His role is also of that of an autorikshaw driver which gives him an awesome stage to show his heroic styles ( copied from superstar) and slew of punch dialogues all through the film.
The story is the one for ages. A good man destroying all the goondas and villians of the city once his kin ( in this case Vijay's guru, a policeman ) is attacked by them. To give due credit the movie, the first half is watchable and Vijay Antony has done a decent job in both bgm and songs but the second half is where the torture begins. Lots of fights, unnecessary punch dialogues, big development in a single song, you name it, you get it. Its such a boredome and rehash of all the cliched sequences and finally the hero (as expected by Vijay fans) wins over the villian.
And hey the credits must go to Anushka too for doing a role just for the name of the banner and hero with little or no substance in it.
No offence meant but this film is strictly only for the Vijay maniacs ( and there are lots out there ) and not for the normal people . If you cant watch Vijay's antics in kuruvi and his over the top scenes in villu then most probably you wont like this film too. Maybe we can watch it when its screened on Sun Tv for some festival that too for Anushka's skin show.
Verdict: Dont try this movie if you are not a die hard Vijay fan. You wil be terribly disappointed.
the-transformation-of-amitabh-into-auro-paa-latest -new-movie-shooting-gallery
all the people who saw the movie paa has been in awe with the makeup of amitabh in the movie.This is an attempt to look into the transformation of amitabh into auro....
To get the special look for the character, director R. Balki roped in
Hollywood make-up artist Stephan Dupuis.
The prosthetic process was arduous. Around eight pieces of specially-crafted clay
models were meticulously stuck on to the face. Once the process started, it was
impossible to move even a few centimetres. Eating and drinking had to be avoided
and he couldn?t talk because it would have displaced the pieces. The entire process
took four-five hours every day over 45 days of continuous shooting. He was even
willing to go through the process of showing his eyeballs bulging out to give a more
authentic look to the character, but doctors said that would require injections in
his eye every two hours which could affect his vision.
enjoy.............!
to download paa movie.. click here
To get the special look for the character, director R. Balki roped in
Hollywood make-up artist Stephan Dupuis.
The prosthetic process was arduous. Around eight pieces of specially-crafted clay
models were meticulously stuck on to the face. Once the process started, it was
impossible to move even a few centimetres. Eating and drinking had to be avoided
and he couldn?t talk because it would have displaced the pieces. The entire process
took four-five hours every day over 45 days of continuous shooting. He was even
willing to go through the process of showing his eyeballs bulging out to give a more
authentic look to the character, but doctors said that would require injections in
his eye every two hours which could affect his vision.
enjoy.............!
to download paa movie.. click here
Ajith Asal latest stills new unseen movie photos
Enjoy !!
Ultimate Star Ajith Latest movie Asal stills photos wallpapers high quality without watermark :)
Ultimate Star Ajith Latest movie Asal stills photos wallpapers high quality without watermark :)
online casino spotlight - the best place to know about casinos and gambling
As i was surfing the net i stumbled upon a wonderful online casino site which had everything in it for online gambling from poker to roulette. The interface is real and simple to the eyes and the information are well organized. The online casino gambling has been in the public memory for quite a long time now and for good reasons. The online casino spotlight is distinct from numerous other sites due to its concentration on all forms of games from baccarat to craps, from keno to bingo. The online casino spotlight also gives information about the pitfalls and advantages of gambling in various posts. It also recommends the best of the best casinos to its users for free.
The online casino spotlight has been around for quite a long time and hence it has been maintaining one of the most biggest and comprehensive online casino directories complete with all the details from rules and regulations to bonuses. They also provide a daily updated rating of the 10 best casinos considering a wide set of parameters.
The online casino spotlight also has its numerous posts arranged into categories like the games,introduction,news,regulations,security and finally the software. The guides are versatile and they cover the whole topic to the core. The explanations are very simple that even a layman can understand the was the games are played. There is good chance to earn in the casinos and hence i would highly recommend online casino spotlight to people who are planning to earn some serious money online through gambling as it is undoubtedly one of the best in its business.
The online casino spotlight has been around for quite a long time and hence it has been maintaining one of the most biggest and comprehensive online casino directories complete with all the details from rules and regulations to bonuses. They also provide a daily updated rating of the 10 best casinos considering a wide set of parameters.
The online casino spotlight also has its numerous posts arranged into categories like the games,introduction,news,regulations,security and finally the software. The guides are versatile and they cover the whole topic to the core. The explanations are very simple that even a layman can understand the was the games are played. There is good chance to earn in the casinos and hence i would highly recommend online casino spotlight to people who are planning to earn some serious money online through gambling as it is undoubtedly one of the best in its business.
Naan Avan Illai 2 - latest-new-tamil-movie-review
SOURCE: Rediff.com
The original Naan Avan Illai (I'm Not Him), starring Gemini Ganesan, and the later version were both successes because of the storyline: a clever, conniving con-man who uses his powers of persuasion, seduction and slick talking to fool women into parting with their wealth.
This time around, Jhabak's Naan Avan Illai Version 2, directed by Selva attempts to re-create the magic of the previous films with the same dose of comedy, flirtation -- but they've added a dose of sentiment and moralising as well unlike the other film yogi this film is watchable though.
So does the mixture work? After a fashion.
Essentially, the Tamil movie follows the same pattern of its predecessor: Annamalai or whatever his name is (Jeevan, styling himself as Mirattal Nayagan) a considerably bulkier version arrives onscreen -- and the opening scene sets the tone for general hilarity. He's revered as god by newly transformed former mafia girl Maria (Rachna Maurya) who runs an ashram of sorts in some unspecified foreign country -- and being the retiring, publicity-shy person that he is, the only shot she can offer of him to the press is one of him sleeping, slack-jawed.
Naturally, his face appears in all the papers abroad (!) leading to much consternation in three stinking rich households; Saki (Shruthi), a rather plump rich brat who's always hankering after a subdued husband, Nisha (Swetha Menon), a con artist who makes a practice of swindling married men who cheat on their wives and Deepa (Lakshmi Rai) a doe-eyed actress who wants to become a realty heiress all over the world.
Its flashback time, as we're told the reason for their anger: our guy has seduced every single one of the aforementioned women, deducing their weak points and homing in for the kill. You have to hand it to Pattukkottai Prabhakar -- his dialogues have the right mixture of levity and scorn, and the way Jeevan sets the stage and plays up to each one of the women is just fun. Sure, there's plenty of skin and slapstick -- but sometimes, the setting is classy and you simply grin with the joy of watching a slick con-man go after each target in such a methodical fashion.
Of course, there's a sentimental side to this as well: Mahalakshmi (Sangeetha), injured in her efforts to help her Sri Lankan compatriots leads a lonely life, struggling to get custody of her child -- and these moments, if elaborate, do bring some depth to the proceedings.
But the storyline returns to hilarity soon enough and retains that spirit to the end. Director Selva has obviously set out to produce an entertainer, and he's fairly succeeded: despite the bikini shots, and mandatory item numbers, the screenplay chugs forwards swiftly, and the entire Vaali segment is productive of a few good laughs. D Imman's numbers, especially Naan Avan Illai and Thooyavaney, are hummable, and his back ground score matches the tone of the film. Balamurugan's cinematography shows us the best and most beautiful of foreign locales -- not to mention the actresses themselves.
As for the actors, Jeevan, once you get past his bulk, manages to re-fit effortlessly into the role that brought him accolades the first time around and you can see he's enjoyed himself every bit. Out of the girls, it's Shruti who doesn't quite deliver. Shwetha Menon brings a joi de vivre to her role; Lakshmi Rai is suitably gullible while Rachna Maurya has been given a rousing opportunity to show off her, er, skills. Which include shaking her hips a la Shakira so much you're afraid she'll suffer permanent displacement.
In the acting department, though, Sangeetha definitely scores. Mayilsami and Raj Kapoor provide the necessary back-up.
A little bit of sentiment and massive dollops of entertainment, that's Naan Avan Illai 2, for you. It lacks a bit of the first movie's originality but if its two-and-a half-hours of no holds barred fun is what you want then this is your best bet.
yogi-latest-new-tamil-movie-review
credits: cinefundas.com
TSOTSI is a gritty and moving portrait of an angry young man living in a state of extreme urban deprivation. Set amidst the sprawling Johannesburg township of Soweto – where survival is the primary objective – TSOTSI traces six days in the life of a ruthless young gang leader who ends up caring for a baby accidentally kidnapped during a car-jacking.
Are you wondering what ‘Tsotsi’ is doing herein this review of ‘Yogi’? ‘Yogi’ is a copycat of Hollywood movie Tsotsi, which has won more international awards. The film holds a prominent position in the list of World’s best movies.
It really puzzles us how come Ameer could just step out of his stunning piece work and just go for the remake policy.
Let’s stop with the comparison and get on straight with the analysis….
Yogi doesn’t gratify to the tastes of any centre, since the unusual story may not be liked by universal cohorts. The film’s duration is so long that it scatters away our attention, letting us restless. Of course, just imagine the film’s duration with 2.45hrs with no twists and turns (except few scenes). More than all, the climax (unconvincingly done) is so predictable and thus makes you loose out the interest.
The film is about a young rowdy Yogi (Ameer), who had a very bad childhood has a strong hatred towards society. He and his yeomen are always into theft and robbery. One night, Yogi has finds himself wedged in an unexpected situation when he spots a baby found in the car he stole.
Now, Yogi finds a rush of resurgence within him as he becomes more attached with the kid. But, he has cops tracing him to get back the kid for the parents. But again, the father wants the baby dead. What unfolds next is a series of some interesting moments flimsily narrated with clichéd formulas.
When it comes to performance, Ameer is the front runner. But why does Subramaniam Siva turns the situation more unrealistic by depicting with heroism? It’s completely inapt for a filmmaker-turned-actor to have all these privileges right on his debut film. Madhumitha does justice to her role while Snegan is so pathetic for the gangster role. Better he stay away from the dreams of acting in mere future. Vincent Ashokan sleepwalks through his usual portrayal as villain. Couple of henchmen in Yogi’s gang (lean and fat guy) is so stereotypical. The baby does engross with its facial expressions…
Yuvan Shankar Raja’s musical score doesn’t add to the best technical quotients. Cinematography has been perfectly done, especially in the action packed sequences. Choreography of stunts is brilliant, though it looks weird with Ameer performing them.
Finally, ‘Yogi’ lacks substantiality over the script and lengthy screenplay and so on. If you ask us, whether this film deserves a watch? Definitely not! It’s a big disappointment from Ameer and Subramaniam Siva’s attempt of transcending for a higher level fails.
Cast & Crew:
Banner: Team Work Productions
Production: Ameer
Direction: Subramaniam Siva
Star-casts: Ameer, Madhumitha, Nirmala Periasamy, Snegan and others.
Music: Yuvan Shankar Raja
Verdict: Average
TSOTSI is a gritty and moving portrait of an angry young man living in a state of extreme urban deprivation. Set amidst the sprawling Johannesburg township of Soweto – where survival is the primary objective – TSOTSI traces six days in the life of a ruthless young gang leader who ends up caring for a baby accidentally kidnapped during a car-jacking.
Are you wondering what ‘Tsotsi’ is doing herein this review of ‘Yogi’? ‘Yogi’ is a copycat of Hollywood movie Tsotsi, which has won more international awards. The film holds a prominent position in the list of World’s best movies.
It really puzzles us how come Ameer could just step out of his stunning piece work and just go for the remake policy.
Let’s stop with the comparison and get on straight with the analysis….
Yogi doesn’t gratify to the tastes of any centre, since the unusual story may not be liked by universal cohorts. The film’s duration is so long that it scatters away our attention, letting us restless. Of course, just imagine the film’s duration with 2.45hrs with no twists and turns (except few scenes). More than all, the climax (unconvincingly done) is so predictable and thus makes you loose out the interest.
The film is about a young rowdy Yogi (Ameer), who had a very bad childhood has a strong hatred towards society. He and his yeomen are always into theft and robbery. One night, Yogi has finds himself wedged in an unexpected situation when he spots a baby found in the car he stole.
Now, Yogi finds a rush of resurgence within him as he becomes more attached with the kid. But, he has cops tracing him to get back the kid for the parents. But again, the father wants the baby dead. What unfolds next is a series of some interesting moments flimsily narrated with clichéd formulas.
When it comes to performance, Ameer is the front runner. But why does Subramaniam Siva turns the situation more unrealistic by depicting with heroism? It’s completely inapt for a filmmaker-turned-actor to have all these privileges right on his debut film. Madhumitha does justice to her role while Snegan is so pathetic for the gangster role. Better he stay away from the dreams of acting in mere future. Vincent Ashokan sleepwalks through his usual portrayal as villain. Couple of henchmen in Yogi’s gang (lean and fat guy) is so stereotypical. The baby does engross with its facial expressions…
Yuvan Shankar Raja’s musical score doesn’t add to the best technical quotients. Cinematography has been perfectly done, especially in the action packed sequences. Choreography of stunts is brilliant, though it looks weird with Ameer performing them.
Finally, ‘Yogi’ lacks substantiality over the script and lengthy screenplay and so on. If you ask us, whether this film deserves a watch? Definitely not! It’s a big disappointment from Ameer and Subramaniam Siva’s attempt of transcending for a higher level fails.
Cast & Crew:
Banner: Team Work Productions
Production: Ameer
Direction: Subramaniam Siva
Star-casts: Ameer, Madhumitha, Nirmala Periasamy, Snegan and others.
Music: Yuvan Shankar Raja
Verdict: Average
de-dana-dan-latest-new-hindi-movie-review
De Dana Dan Review - Beyond Pathetic Garbage
Source : SearchIndia.com
Of all the Bollywood movies we’ve watched in 2009, De Dana Dan is easily the most boring, sickening, crappy piece of shit.
Folks, there was not a single moment of respite in the 2 hours and 40-minutes we spent in the dark hall of the AMC Empire theater on 42nd St (near Times Square) in New York City on Wednesday.
$6 down the drain. Total waste of time and money.
Should you dare to bestow the blessings of your time and money on this junk, a painful migraine will be your reward too.
There were all of seven or eight people for the first show (10:25AM) of De Dana Dan at the AMC Empire, the sparse crowd perhaps a reflection of the lack of enthusiasm and zero buzz for this Akshay Kumar, Sunil Shetty, Katrina Kaif et al movie.
Given that Akshay Kumar is the unrivalled Trash King of Bollywood these days, the small audience should have been no surprise.
Colossus of Nonsense
From the getgo, De Dana Dan misses no opportunity to lay bare its claim to fame as one of the lowpoints of Bollywood this year.
The grand get-rich plan of two desperate desis in Singapore Nitin (Akshay Kumar) and Ram (Sunil Shetty) rests on kidnapping the dog belonging to a rich and greedy businesswoman (Archana Puran Singh).
Oh, if you really want to know Nitin is the driver and Man Friday of the greedy businesswoman while Ram is driver for a courier service van.
Director Priyadarshan, who is also responsible for the moronic screenplay, then throws in a bewidering array of characters and side stories to the dog-kidnap tale in a clumsy, hopeless attempt at salvaging this junk.
You have Nitin’s sweetheart Anjali (Katrina Kaif); Ram’s girlfriend Manpreet (Sameera Reddy); a failed, crooked businessman Chaddha Sr (Paresh Rawal); a contract killer Murari (Johnny Lever); a Don (Asrani), a hooker (Neha Dhupia), a hyper-priapic weirdo (Shakti Kapoor) and more.
But in the complete absence of comic scenes or hilarious dialogs, the end result of this dismal ensemble is endless tedium for the audience.
Notwithstanding what you may have heard or read, none of the characters or their antics are funny in the least. Just unceasingly boring and tiresome.
Oh well, Rajpal Yadav as the waiter was a bit funny but then his character is too insignificant.
Why Singapore had to be the setting for this drivel is a mystery.
Key Villains
The principal villains of De Dan Dan are the incomprehensibly fatuous story and unendurable screenplay.
Then there’s the mediocre acting.
Sunil Shetty is the antithesis of acting. How this bozo managed to bag a role in this movie is a question that can only be answered by producer Sunil Lulla.
Akshay Kumar is tolerable but the shoddy script leaves no room for any chance of entertainment.
Both Sameera Reddy and Katrina Kaif are pitiful and leave no mark whatsoever.
A most unimpressive abomination, Sameera Reddy with her horrid acting skills, her weird costume and stupid hairstyle seemed like a modern-day Lady Macbeth out to wreak her machinations on the audience.
Sheer Cacophony
As for the so-called music in the film, to spend any time on that cacophony in De Dana Dan would be to waste your time and ours.
There’s not one redeeming thing in this repellent farce of a movie.
Awful Finale
If the first 2 hours of De Dana Dan was awfully boring, the last 40 minutes was unendurable nonsense. Particularly after the suitcase-bomb blasts and a huge wave of water rushes into the hotel.
What was the necessity to drag that nonsense for 15 minutes?
They say that Kerala, the state De Dana Dan director Priyadarshan hails from, has 100% literacy. This retard Priyadarshan must surely be an exception.
Priyadarshan, Caput tuum in ano es (readers, if Latin is all Greek to you, the expression means you have your head up your ass).
Not Worth Watching
Guys, think not for a moment.
De Dana Dan begs you to show it the middle finger.
Do not even consider watching this garbage unless you have a desperate itch to squander your time and money. You may try better films like kurbaan
Source : SearchIndia.com
Of all the Bollywood movies we’ve watched in 2009, De Dana Dan is easily the most boring, sickening, crappy piece of shit.
Folks, there was not a single moment of respite in the 2 hours and 40-minutes we spent in the dark hall of the AMC Empire theater on 42nd St (near Times Square) in New York City on Wednesday.
$6 down the drain. Total waste of time and money.
Should you dare to bestow the blessings of your time and money on this junk, a painful migraine will be your reward too.
There were all of seven or eight people for the first show (10:25AM) of De Dana Dan at the AMC Empire, the sparse crowd perhaps a reflection of the lack of enthusiasm and zero buzz for this Akshay Kumar, Sunil Shetty, Katrina Kaif et al movie.
Given that Akshay Kumar is the unrivalled Trash King of Bollywood these days, the small audience should have been no surprise.
Colossus of Nonsense
From the getgo, De Dana Dan misses no opportunity to lay bare its claim to fame as one of the lowpoints of Bollywood this year.
The grand get-rich plan of two desperate desis in Singapore Nitin (Akshay Kumar) and Ram (Sunil Shetty) rests on kidnapping the dog belonging to a rich and greedy businesswoman (Archana Puran Singh).
Oh, if you really want to know Nitin is the driver and Man Friday of the greedy businesswoman while Ram is driver for a courier service van.
Director Priyadarshan, who is also responsible for the moronic screenplay, then throws in a bewidering array of characters and side stories to the dog-kidnap tale in a clumsy, hopeless attempt at salvaging this junk.
You have Nitin’s sweetheart Anjali (Katrina Kaif); Ram’s girlfriend Manpreet (Sameera Reddy); a failed, crooked businessman Chaddha Sr (Paresh Rawal); a contract killer Murari (Johnny Lever); a Don (Asrani), a hooker (Neha Dhupia), a hyper-priapic weirdo (Shakti Kapoor) and more.
But in the complete absence of comic scenes or hilarious dialogs, the end result of this dismal ensemble is endless tedium for the audience.
Notwithstanding what you may have heard or read, none of the characters or their antics are funny in the least. Just unceasingly boring and tiresome.
Oh well, Rajpal Yadav as the waiter was a bit funny but then his character is too insignificant.
Why Singapore had to be the setting for this drivel is a mystery.
Key Villains
The principal villains of De Dan Dan are the incomprehensibly fatuous story and unendurable screenplay.
Then there’s the mediocre acting.
Sunil Shetty is the antithesis of acting. How this bozo managed to bag a role in this movie is a question that can only be answered by producer Sunil Lulla.
Akshay Kumar is tolerable but the shoddy script leaves no room for any chance of entertainment.
Both Sameera Reddy and Katrina Kaif are pitiful and leave no mark whatsoever.
A most unimpressive abomination, Sameera Reddy with her horrid acting skills, her weird costume and stupid hairstyle seemed like a modern-day Lady Macbeth out to wreak her machinations on the audience.
Sheer Cacophony
As for the so-called music in the film, to spend any time on that cacophony in De Dana Dan would be to waste your time and ours.
There’s not one redeeming thing in this repellent farce of a movie.
Awful Finale
If the first 2 hours of De Dana Dan was awfully boring, the last 40 minutes was unendurable nonsense. Particularly after the suitcase-bomb blasts and a huge wave of water rushes into the hotel.
What was the necessity to drag that nonsense for 15 minutes?
They say that Kerala, the state De Dana Dan director Priyadarshan hails from, has 100% literacy. This retard Priyadarshan must surely be an exception.
Priyadarshan, Caput tuum in ano es (readers, if Latin is all Greek to you, the expression means you have your head up your ass).
Not Worth Watching
Guys, think not for a moment.
De Dana Dan begs you to show it the middle finger.
Do not even consider watching this garbage unless you have a desperate itch to squander your time and money. You may try better films like kurbaan
kurbaan-latest-new-hindi-movie-review
Movie Review: Kurbaan;
Star cast: Saif Ali khan, Kareena Kapoor, Vivek Oberoi and Om Puri;Director: Rensil D’Silva;
Love blossoms between a Delhi college professor, Avantika (Kareena) and her newly joined colleague, Ehsaan Khan (Saif). But as she receives a call to join back her University in New York, Ehsaan proposes marriage. While her father initially disapproves of the match because of Ehsaan being a Muslim, he finally gives his nod impressed by Ehsaan’s approach. The couple goes to New York and finds a house in an Indian neighbourhood. But soon Avantika realizes her own husband is a major part of the terrorist sleeper cell operating there and is the reason for aeroplane blast that kills 140 people. She also comes to know that the terror outfit’s next plane is something as big as 9/11. How she unearths the plot with a journalist Riyaaz ‘s (Vivek) aid and what it all leads forms the rest of the plot.
Writer Rensil D’Silva (Rang De Basanti) making his directorial debut with Kurbaan delivers a taut thriller that keeps you engrossed throughout. Despite its long running time of over 2 hours and 40 minutes his gripping narrative has enough twists n turns and chilling moments. Cutting away from commercial cinema traps and unwanted cinematic liberties, he has made Kurbaan one of the best thrillers to be experienced on the big screen in recent times. Without taking any sides, the film manages to strike an impact leaving you shaken with the full of bloodshed climax. Super aid comes in form of Niranjan Iyengar and Anurag Kashyap’s dialogues. They are precise and to the point without sounding preachy. The classroom sequence when American students question discuss terrorism and Islam and Vivek Oberoi’s replies to them is one of the film’s most important and noteworthy sequence. Though the place drops a bit post interval, the 35 – 40 minute long climax keeps you on the edge of your seat. The much talked about love making sequence is very aesthetically shot. Salim Suleiman’s music is good and fits in the movie well with no lip sync songs.
Saif has always been very good whenever he has gone wicked and here as well he comes up triumphs in a grey role. The way he changes his body language and facial expressions from a charming romantic to a cold blooded terrorist is just superb. Bebo proves yet again why she is considered a top rated actress today. However, in many emotional sequences she appears very similar in her act to her elder sister, Karisma. After a really very long time Vivek Oberoi leaves you extremely impressed. His mature act is bound to win him many accolades and awards for sure. Om Puri as the terrorist sleeper cell head is very good. Kirron Kher after a long time gets a non-Punjabi mom role and she is has delivered one of her career best performance in this one. Dia Mirza and Nauheed Cyrusi leave you impressed despite their short roles.
Hemant Chaturvedi’s camerawork matches international standards and so does Nakul Kamte’s Sound work.
Finally, a big applause for Karan Johar for making under his Dharma Productions, a film which is very unlike any previous film made under his prestigious banner and one which is not only extremely well made but also very topical.
credits to SOUTHDREAMZ.COM !
'Endhiran’ creates traffic jam in Chennai
'Endhiran’ creates traffic jam in Chennai
The whole team of Shankar’s ‘Endhiran’ was in Rajalakshmi College, Madhuravoil from 10th of November to 12th.
A risky stunt sequence choreographed by stunt master Peter Haynes was shot on a magnificent set. A scene in which robot Rajini’s car being burnt was also shot inside the college campus.
Director Shankar happened to see an over bridge that is under construction in Maduravoil ring road near Mugappair. That is the Chennai High Speed Circular Transportation Corridor, an urban road transit in the form of elevated concentric beltway planned for Chennai. This particular over bridge is being designed so well that it looks like some foreign location. So the director had planned to shoot the car chase of ‘Endhiran’ in this location.
The shoot of the car chasing is being canned there from yesterday. We hear that many of Superstar’s fans who reside in nearby areas got to know about this and crowded the shooting spot. Looks like the crowd created a traffic jam in the bypass road causing difficulties. Moreover many fans tried to take pictures of Rajinikanth with the cameras in their cell phones. The private security guards who were there tried to stop it, but in vain.
The shoot will go on there for few more days and the next schedule is planned in the beautiful East Coast Road.
The whole team of Shankar’s ‘Endhiran’ was in Rajalakshmi College, Madhuravoil from 10th of November to 12th.
A risky stunt sequence choreographed by stunt master Peter Haynes was shot on a magnificent set. A scene in which robot Rajini’s car being burnt was also shot inside the college campus.
Director Shankar happened to see an over bridge that is under construction in Maduravoil ring road near Mugappair. That is the Chennai High Speed Circular Transportation Corridor, an urban road transit in the form of elevated concentric beltway planned for Chennai. This particular over bridge is being designed so well that it looks like some foreign location. So the director had planned to shoot the car chase of ‘Endhiran’ in this location.
The shoot of the car chasing is being canned there from yesterday. We hear that many of Superstar’s fans who reside in nearby areas got to know about this and crowded the shooting spot. Looks like the crowd created a traffic jam in the bypass road causing difficulties. Moreover many fans tried to take pictures of Rajinikanth with the cameras in their cell phones. The private security guards who were there tried to stop it, but in vain.
The shoot will go on there for few more days and the next schedule is planned in the beautiful East Coast Road.
Aval Appadi Ondrum (Angaadi Theru) - Lyrics
Lyrics of Aval Appadi Ondrum from Angaadi Theru
Pallavi
aval appadi ondrum azhagillai
avalukku yaarum inai illai
aval appadi ondrum color illai
aanal adhu oru kurai illai
aval appadi ondrum azhagillai
avalukku yaarum inai illai
aval appadi ondrum color illai
aanal adhu oru kurai illai
aval peridhaai ondrum padikka villai
avalai padithen mudikka villai
aval udhuthum udaigal pidikka villai
irundhum kavanikka marakka villai
aval appadi ondrum azhagillai
avalukku yaarum inai illai
aval appadi ondrum color illai
aanal adhu oru kurai illai
Charanam 1
aval naaikutti edhuvum
valarkavillai
naan kaaval irundhaal
thadukkavillai
aval bommaikalai vaithu
urangavillai
naan bommai pola pirakka villai
aval koondhal ondrum neelamillai
andha kaatil tholaithen meelavillai
aval kai viral modhiram thangamillai
kai pidithidum aasai thoongavillai
aval sondham indri eduvum illai
enakku eduvum illai
Charanam 2
aval pattu pudavai endrum
anindhathillai
aval chudithar pola edhuvum
sirandhathillai
aval thittum podhum valikka villai
andha akkarai pola veru illai
aval vaasam roja vaasam illai
avalillamal swasam illai
aval sondham bandham eduvum illai
aval sondham indri eduvum illai
aval sondham indri eduvum illai
enakku eduvum illai
aval appadi ondrum azhagillai
avalukku yaarum inai illai
aval appadi ordrum color illai
aanal adhu oru kurai illai
aval peridhaai ondrum padikka villai
avalai padithen mudikka villai
aval udhuthum udaigal pidikka villai
irundhum kavanikka marakka villai
Pallavi
aval appadi ondrum azhagillai
avalukku yaarum inai illai
aval appadi ondrum color illai
aanal adhu oru kurai illai
aval appadi ondrum azhagillai
avalukku yaarum inai illai
aval appadi ondrum color illai
aanal adhu oru kurai illai
aval peridhaai ondrum padikka villai
avalai padithen mudikka villai
aval udhuthum udaigal pidikka villai
irundhum kavanikka marakka villai
aval appadi ondrum azhagillai
avalukku yaarum inai illai
aval appadi ondrum color illai
aanal adhu oru kurai illai
Charanam 1
aval naaikutti edhuvum
valarkavillai
naan kaaval irundhaal
thadukkavillai
aval bommaikalai vaithu
urangavillai
naan bommai pola pirakka villai
aval koondhal ondrum neelamillai
andha kaatil tholaithen meelavillai
aval kai viral modhiram thangamillai
kai pidithidum aasai thoongavillai
aval sondham indri eduvum illai
enakku eduvum illai
Charanam 2
aval pattu pudavai endrum
anindhathillai
aval chudithar pola edhuvum
sirandhathillai
aval thittum podhum valikka villai
andha akkarai pola veru illai
aval vaasam roja vaasam illai
avalillamal swasam illai
aval sondham bandham eduvum illai
aval sondham indri eduvum illai
aval sondham indri eduvum illai
enakku eduvum illai
aval appadi ondrum azhagillai
avalukku yaarum inai illai
aval appadi ordrum color illai
aanal adhu oru kurai illai
aval peridhaai ondrum padikka villai
avalai padithen mudikka villai
aval udhuthum udaigal pidikka villai
irundhum kavanikka marakka villai
boys-original sound track-ost-torrent-download
Hey ppl !! For all you music lovers, rahmaniacs in particular, here is an exclusive release from TZT team.
Type..........................:Tamil Movie Original Sound Track
Artist...................: AR Rahman
Movie .................: Boys
No. of tracks .................: 36
Size.....................:51 mb
Audio Format...........:MP3@128kbps
DOWNLOAD HERE !!
we are planning to release more music in the coming days. stay tuned for rare collections and latest releases.
Type..........................:Tamil Movie Original Sound Track
Artist...................: AR Rahman
Movie .................: Boys
No. of tracks .................: 36
Size.....................:51 mb
Audio Format...........:MP3@128kbps
DOWNLOAD HERE !!
we are planning to release more music in the coming days. stay tuned for rare collections and latest releases.
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